There are quite a few immensely talented artists out there who go to fantastic lengths to make their paintings look as realistic as achievable, mimicking the nuances of three-dimensional kind, texture and lighting. But it is uncommon that the opposite is accurate – wherein an artist seeks to make reality appear like a painting. Meet Alexa Meade, who paints subjects not on canvas but ideal on best Red Barrel Studio of themselves.
Meade’s thick acrylic brushstrokes turn living subjects into exaggerated, flat, painterly versions of themselves that are so accurately rendered two-dimensional, it is complicated to tell straight away that there’s a actual particular person under all that pigment. When the subject’s environment is painted as well, the effect is so total that onlookers are stunned when what appears like some sort of painted sculpture suddenly moves and breathes.
“My painting method pushes the boundaries of perception, compressing 3D space into a 2D plane and successfully blurring the Red Barrel Studio lines amongst art horst sofa bed and life,” Meade told Juxtapoz in a recent interview.
“Typically, when you look at a painting, you’re looking at an artist’s interpretation of the topic painted on canvas. In my horst sofa bed artistic interpretation of the subject, I paint straight on major of the subject I am referencing rather than utilizing canvas. Primarily, my art imitates life – on top rated of life. For example, with Portrait of a Self-Portrait you are simultaneously seeking at a portrait I painted of myself, a photo I took of myself, and at me.”
Meade didn’t go to art school – in truth, she graduated from Vassar College with a degree in political science. When asked if her background in politics has influenced her art, she explained slyly, “My projects spin reality.”